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PERSPECTIVES OF UKRAINIAN THEATRICAL ART: INFLUENCEOF M. K. ZANKOVETSKA

Theatre is one of the oldest arts in the world. Its elements can be observed in any everyday situation. It is quite diverse. Theatre has survived serious tortures. The theatre has fought for audience in different ways: lowering ticket prices, meeting the audience expectations etc. It has survived! The audience has been attracted by incomprehensible miracle which is difficult to understand. The founders and lovers of the Ukrainian theater who share the main ideas of it and play an important role in its development are I. Karpenko-Kary, N. Kropivnitsky, M. Sadovsky, P. Saksahansky, N. Starytsky and M. Zankovetska. Without saying they have had an impact on the contemporary actors. All the essence of Zankovetska is full of love to the Motherland, the mother tongue and people. Each representative on the stage, which is influenced by Zankovetska, will rise Ukrainian theatre to a new level showing the power of Ukrainians to the world.

A significant amount of research on the prospects of Ukrainian theatre has appeared in Ukraine (A. Burlutskiy, G. Klochek, V. Zabolotna) and Russia (A. Yuryeva, V. Lebedko, E. Naydenov). A. Apcel, A. Khiminets and Z. Regalo are studying the problems of formation and the history of Ukrainian theater. However, the problem of the prospects of the Ukrainian theater influenced by a famous Ukrainian actress M. Zankovetska requires consideration.Начало формКонец формы

M. Zankovetska has played the most important role in the preservation and further development of the Ukrainian theatrical art. “A lot of critics and writers either praised or scolded her. But everyone has agreed on the conclusions about the futility of the Ukrainian theater and wastefulness of such a talent as Maria Zankovetska had.
 She was one of those outstanding figures who founded the first drama school and launched a brilliant group of young actors. She worked to help and improve the theatre during the severe oppression and prohibition of Ukrainian.

The actress was a person of strong convictions and avoided the so-called phenomenon as modernism which meant development. She said: “I deliberately go with my eyes closed past the useless modern modernistic search. I don’t act without feeling. Modernists don’t feel”

In our opinion, the term “perspective” means the development, acquisition something new, the implementation in the future. The prospects of the Ukrainian theatrical matter require a lot of time and effort. However, a classification of the main foundations of theatrical art is presented in terms of perspective introduced by the honoured worker of Ukraine Zabolotna:

• an innovation – the level of artistic culture of the audience grows as well as theatre needs;

 • the effectiveness of the theatre depends on the realization of creative potential of the actor;

 • the attention of the theatre to an actor;

 • the structure of the repertoire;

 • the figure of a sponsor;

• the relationship of a theatre and state.

In the XXI century the theatre acquires a new form and content of its being. Ukrainian theatre tries to satisfy all the whims of the SPECTATOR. Theatre focuses on a HUMAN-BEING. Theatre should find a man in the Man, family and country. It will purify the heart and clean the soul from the mud of humiliation and suffering. The mission of a theatre is a mission of the opposition to reality, bringing in its social prowess and spiritual personalities and patriotism.

An important task of theatrical art is its language: a mask, sign and appearance. It is an ancient element of theatre that requires actor’s precision, accuracy, and expression. M.  Zankovetska’s main strength is a spontaneous, easy temperament. Her inner world is very sensitive. Her eyes can reflect her feelings.

The stage production sounds like prophecy. The role of a director in contemporary Ukrainian theatre is constantly increasing. This is the man who will not require lifelessness. That person helps to overcome difficulties in the process of acting on a stage.

M. Zankovetska was always a sincere Ukrainian actress. The invitation of the Russian theatre didn’t force her to leave Ukrainian people. Therefore, this fact confirms once more that we should appreciate the heritage of our predecessors.

In conclusion, M. Zankovetska is one of the driving forces of the further development of our modern theatre. We must seek ties with the world, respecting our own achievements. She has contributed to our Ukrainian theatre a lot encouraging other people to follow her nowadays.